There was to be a major Bertoia exhibition at the Allentown Art Museum in 2015, but due to several factors this has been postponed. We are now looking toward 2017 or 2018. It will be bigger and better and come from a different angle, probably looking into the history of sounding sculpture. How has Harry Bertoia's tonal work effected other artists? Was he the first to tread into the sounding sculpture arena? What are the scientific and musical ramifications?
In the meantime, I am getting very excited about the Cranbrook Bertoia jewelry exhibition. They obtained funding (from Wright, the Eibers and the David Klein & Kate Ostrove Exhibition Fund) for a top notch color catalogue and will have some items that have never before been seen in public. Harry's jewelry is both wonderfully playful and amazingly crafted. While he loved silver and gold, he was not averse to using copper, aluminum, brass or just about any metal. Much of the jewelry was created at Cranbrook and this is where he began to amass his broad knowledge of metals, alloys and their properties. It begins March 14 and here are the details:
http://www.cranbrookart.edu/museum/CAMec2.html
Keep your antenna up for two lectures on Harry Bertoia coming to Florida, one in Tallahassee at the University and one in Sarasota, both in late January. Dates and specifics to follow.
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